St Matthew’s Church, Redhill, Surrey
Thursday 21st February 2019 1.10pm
We were delighted to have been invited back to St Matthew’s Church, Redhill to perform in their lunchtime concert series in February. Our programme featured music from the Tudor period, including works by Henry VIII himself and composers associated with the Tudor court such as Cornysh, Holborne and Gibbons. We also included several pieces that reflect David’s recent research in re-assessing late sixteenth-century keyboard manuscripts as sources of consort works, including pieces derived from the Mulliner Book and from GB-Lbl. Royal. App. 58, a source dating from the 1520s.

Bridge Cottage in Uckfield is a wealden hall house built in around 1436; it has recently been restored as a venue for community events and a popular concert series. Our concert took place in the hall chamber and featured the type of repertoire from the 14th to 16th centuries that itinerant musicians would have performed in domestic spaces such as this.




sing atonal work entitled Vexations; instead of using the usual piano, they engaged a variety of ensembles to play it, including a brass band, a rap artist and a jazz singer. Faronel provided a medieval and renaissance dimension to the proceedings, although finding instruments that could play all 12 semitones reliably was quite vexatious! Apart from that, though, it was pretty familiar territory: no tempo markings, no dynamics, no performance instructions – just like medieval music!




